
I AM NOWHERE, I AM HERE
BIBLIOGRAPHY
Artists Books (accessed 28/01/20 & 03/02/20, MMU Special Collections Library)
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Bellingham, David. ‘Ideas Leave Objects Standing’. (Platform Projects: BALTIC, 2005)
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Bush, Tracey. ‘British Butterflies’ (2005)
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Chasseaud, Peter. Kings Cross. (Lewes England, 2004) pp. 1-5.
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Clark, Thomas A., Conrad C.A., Cory, Jim et al. ‘Mad Cow’
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Fulton, Hamish. Camp Fire. (Lecturis, 1985)
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Bird Song. (Serpentine Gallery, 1991) pp. 1-10.
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Horn, Rani. ‘Another Water’ (SCALO, 1999)
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Garner, Alan and Roger Hill. The Old Man of the Maw. (Collins, 1966)
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Jaeger, Elizabeth. ‘An Atlas of Known Places’ (Edinburgh, 1987)
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Lanyon, Andrew. ‘Portreath’, The Paintings of Peter Lanyon. (Regal Engravers, 1993) pp. 6-19.
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Matthews, Liz. ‘Thames to Dunkirk’ (British Library, 2012)
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Please, Keith. Chesil Bank South. (Circle Press, 1980) pp, 2-3.
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Skykes, Sandy, ‘Paradise Is Always Where You’ve Been’. (London: Marty Apple Graphics, 2000)
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Rindle, Deb. ‘Ill Fitted’. (2003)
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Rindle. Deb. ‘Elementary Thoughts’ (2002)
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White, Kenneth. Late August on the Coast. (Circle Press, 1986)
Literary Books (accessed 27/02/20 – 03/03/20, MMU library)
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Armitage, Simon. All Points North (London: Penguin, 1999)
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Woolf, Virginia. The Waves (Hogarth Press, 1931)
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Maconie, Stuart. Pies and Prejudice. (Ebury Press: Random House Group, 2007)
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MacFarlane, Robert. The Wild Places. (London: Granta, 2009)
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The Old Ways: A Journey on Foot. (London: Penguin, 2012)
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Landmarks. (London: Penguin, 2016)
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Sprackland, Jean. Strands: A Year of Discoveries on the Beach. (London: Vintage, 2013)
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Runcie, Charlotte. Salt on Your Tongue: Women and the Sea. (London: Canongate, 2020)
Poetry (accessed 27/02/20 – 04/03/20)
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Armitage, Simon. ‘Mist’, Stanza Stones Poetry Trail (2019)
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Arnold, Matthew. ‘Dover Beach’ (1851)
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Burns, Alison. ‘I’ll be Watching This Shore’. (1997) <accessed 04/03/20: https://aliburns.co.uk/projects/longscar-sound-beacon/>
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Doolitte, Hilda. ‘Oread’ (BLAST, 1914)
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Horn, Ian. ‘Ironopolis’ (2008)
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Larkin, Phillip. ‘To the Sea’, High Windows. (1969)
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Lee, Laurie. ‘April Rose’, Cider with Rosie (Horizon Magazine, 1946).
Websites (accessed 01/02/20 – 09/04/20)
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Adell, Germán. ‘Theories and models of the peri-urban interface: a changing conceptual landscape.’ (1999).
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Anomie, Bon. ‘We Are Teeside: Changing UK- A Sense of Community’, BBC Tees <http://www.bbc.co.uk/tees/content/articles/2008/11/28/stats_community_feature.shtml>
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Bailey, Christopher. ‘Culture-led Urban Regenration and the Revitilisation of Identities in Newcastle, Gateshead and the North East of England’, International Journal of Cultural Policy, Volume 10, Issue 1: Urban Space and the Uses of Culture. (Taylor & Francis, 2004) <https://www.tandfonline.com/doi/abs/10.1080/1028663042000212328?src=recsys&journalCode=gcul20>
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Harley, Shaun. ‘I was Made in Middlesbrough’, BBC News. (Tues 16 Oct 2007) <http://news.bbc.co.uk/1/hi/magazine/7046579.stm>
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Hartlepool History Then and Now Archive <http://www.hhtandn.org/venues/1564/sea-coal>
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Mangan, Lucy. ‘Skint Britain: Friends Without Benefits Review- a maddening look at universal credit’, The Guardian. (Wed 13 Feb 2019) <https://www.theguardian.com/tv-and-radio/2019/feb/13/skint-britain-friends-without-benefits-review-maddening-universal-credit>
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Lichtenstein, Rachel. ‘A Study for the Estuary’ (2011). <https://rachellichtenstein.com/estuary/>
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McMillan, Ian. ‘The Water Doesn’t Move, the Past Does’ [Spoken Poetry Video]. (The Poetry Society, 2013) <https://www.youtube.com/watch?v=h_sEg_UHUK8>
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Tulloch, Jonathan. ‘Boys from the Black Stuff’, The Guardian .(Mon 9 Apr 2001) <https://www.theguardian.com/theguardian/2001/apr/09/features11.g2>